by Stephanie M. Wytovich
In the past decade or so, speculative poetry has presented itself in the marketplace as an equal and valid contender in the field, thereby solidifying its place in the world of publishing, both large and small. Readers now not only enjoy it in magazines and individual collections, but also in anthologies, craft books, and in nonfiction articles exploring its value, voice, and contribution to science fiction, fantasy, and horror. Two great examples of this are the recently relaunched Weird Tales and the 2021 Halloween issue of Southwest Review edited by Andy Davidson.
When I started out as a fledgling poet, I turned first to The Science Fiction and Fantasy Poetry Association (SFPA), and all these years later, I remain a member in this community that continues to celebrate poetry in all its different forms. When I first heard about the SFPA, I quickly researched their website, joined their Facebook group, and signed up for my yearly membership. As someone new to speculative poetry—not to mention someone who didn’t even know that speculative poetry was an avenue to pursue at the time—I devoured the listing of current markets they had and still have on their website, careful to make note of which magazines spoke to me and the work I was doing. I began submitting to their own magazine, Star*Line, and then discovered the themed work they did with Eye to the Telescope.
Later on, I learned about the Rhysling Award, the Dwarf Stars, and the Eglin Award and was fortunate to have some of my work published in subsequent anthologies while my book Mourning Jewelry placed third in the Elgins in 2015. I bring this up because the opportunity to read for these awards and get to know and network with fellow poets was not only inspiring but a kind of professional development in and of itself. I had never formally studied poetry, but I learned and continue to learn so much from this group and it’s provided me editorial opportunities, such as with Issue 17 of Eye to the Telescope, promotional outlets, and camaraderie in a career that is not only isolating but quite lonely at times.
Similar to the SFPA, my involvement with the Horror Writer’s Association (HWA) has proven invaluable to my life blood as a poet. From the Bram Stoker Awards to the HWA Poetry Showcase to the HWA Poetry Blog and then the Dark Poetry Scholarship, the HWA has worked hard to include, promote, and educate writers about how horror poetry can supplement their writing career and lead to a road of publication and higher learning. Similar to the SFPA, HWA members have countless opportunities to publicize their work and/or events, contribute to a variety of initiatives, and teach/attend continuing education workshops. Furthermore, when I attend Stokercon, there are always panels that discuss the state of speculative poetry, or that talk about the intersection of horror, writing, and mental health, and whether I am listening in the audience or contributing to the discussion, the conversation around poetry is always present and well-attended, proving that the form is not dead, but rather very much alive.
If you’re interested in getting more involved in the speculative poetry community, I highly recommend checking out the organizations above, volunteering where you can, and continuing to submit your work frequently. Please note that there are also mentorship opportunities, board positions, jury seats, and editorial work to be sought out, so there are lots of ways to contribute to the market, the genre, and get more involved in the work that’s being done. Afterall, if we want to continue to see poetry flooding the markets, we need to nourish the communities that support it while also educating and promoting each other’s work.
Stephanie M. Wytovich is an American poet, novelist, and essayist. Her work has been showcased in numerous magazines and anthologies such as Weird Tales, Nightmare Magazine, Southwest Review, Year's Best Hardcore Horror: Volume 2, The Best Horror of the Year: Volume 8, as well as many others.
Wytovich is the Poetry Editor for Raw Dog Screaming Press, an adjunct at Western Connecticut State University, Southern New Hampshire University, and Point Park University, and a mentor with Crystal Lake Publishing. She is a recipient of the Elizabeth Matchett Stover Memorial Award, the 2021 Ladies of Horror Fiction Writers Grant, and has received the Rocky Wood Memorial Scholarship for non-fiction writing.
Wytovich is a member of the Science Fiction Poetry Association, an active member of the Horror Writers Association, and a graduate of Seton Hill University’s MFA program for Writing Popular Fiction. Her Bram Stoker Award-winning poetry collection, Brothel, earned a home with Raw Dog Screaming Press alongside Hysteria: A Collection of Madness, Mourning Jewelry, An Exorcism of Angels, Sheet Music to My Acoustic Nightmare, and most recently, The Apocalyptic Mannequin. Her debut novel, The Eighth, is published with Dark Regions Press.
Follow Wytovich on her blog at http://stephaniewytovich.blogspot.com/ and on Twitter and Instagram @SWytovich and @thehauntedbookshelf. You can also find her essays and nonfiction on LitReactor.
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